Is this the beginning? The sun theoretically shines. Jeremy Knot’s esoteric name is Jeremy Knot, but without the first or last part. Autonym #1: One. He muses under that questionable sun, pondering over the axiom of if if is/isn’t if, then then is/isn’t then. The following day, Jeremy is charged eight hours of sleep for stepping in man(uer). With heavy eyes, Jeremy retaliates by threatening to change into a banana tree. At once, the chimpanzees appear, but then leave shortly after due to unavailable parking. The former line is an abstraction and should be ignored.
Truthfully, the only truth is no truth, to the liking of Jeremy, whom likes like like like should be liked. That that that that (four that), Jeremy loses a letter grade. He literally learns to unlearn figuratively. He gives bitter nods to the nearby classmates, realizing they have always been cardboard cutouts. One by one, he throws them into a dwindling fire, then stirs the kettle for extra credit. The homeless await with soup bowls so large, they are questionable tubs. Jeremy hands them towel (but pleural) and a change of clothes. With striped uniforms, they are thrown behind bars, where they are to serve ten years of drink specials.
Autonym #2: English. In is in this line just as English in English is, and this is this is, and is is isis. The (w)all collapses out of (bored)om until the idea of collapsing collapses, forcing disorder to gravitate towards order. In order for Jeremy to (compreh)end this, he must first exist outside of fiction. Nine words (two being invisible): That which is knowable can only be fiction. Jeremy solves the puzzle, identifying two as a word, not a quantifier. Exercise 3-1: What is Exercise 3-1? Questions lead to questions about questions, whereas answers lead too many astray. These realizations hit Jeremy like a cold breeze, so he slips into clothes, having been exposed up until now.
What is the euphemism for euphemism? The unexamined life is to die for. Jeremy tries to catch the two hands in front of him. He catches himself in front himself, and tells himself truths/non-truths. If up goes down, both up and down go down, but if left goes left and left again, left gets left out. Left in charge, Jeremy resumes, but twice in size. Or did everything shrink? That is impossibly possible. Jeremy detonates his lunch box open. In one hand, Jeremy holds a large smallness, and in the other, a heavy lightness. Both taste like a brightly textured sound, but with salt added. Pepper is banned due to sneezing and its association with terrorism.
Caution: The simplest is the most (c)om(plex). To demonstrate, Jeremy flips a coin with determinism on one side and nondeterminism on the other. The chances of landing by chance are the same as being predestined to do so. The closer Jeremy gets to such truths, the closer he gets to the jester whom rides paradox like a unicycle. As a souvenir, Jeremy gets a pie to the face. He presents this at show-and-tell the next morning, impressing the business associates (parentheses). The resulting chart predicts a forty percent drop in chart presentations. Autonym #3: Inanimate.
Later that day, Jeremy chases after his impostor, believing himself to be the real Jeremy. When really, both are i(mpostor)s. Along the way, Jeremy trips and falls into debt, owing apologies to linear context. He assumes that assume means to assume, but he is greatly mistaken, for assuming implies existence, and Jeremy does not exist. Regardless, Jeremy (at)tends an evening party. What happens when the party gets angrily thirsty? (A pun)ch line. Jeremy laughs, having caught all four puns in that joke with his hands tied behind the wall.
A play onwards becomes a play on words. Autonym #4: Letters. The point is sharply blunt, hence trivially nontrivial. Jeremy dances on this point, having been coaxed into it. He dives into a see of chaos and (th)oughtless (th)ought. He is audience and writer simultaneously. That which can be written is essentially a plagiarism–plagiarism itself being a plagiarism from the dictionary and alphabet. Having nothing more lose lose (two lose), he hits the tuning fork which has a surface of non-surface. The soundless sound begins the ritual, so he drinks from the baseless cup. The brew of no brew grants him either impossible stairs or a motionless elevator.
The world moves by that elevator with Jeremy inside. He sees the dancing silhouette of a candle not lit. He thinks before he (th)inks, reminding himself of himself defining define. A distant nearness later, he hears a loud whispers (but singular) that motivates him against motivation. Is he awake or not sleeping? Let’s advance backwards. Jeremy steps upright onto his feet that point at the horizon. Are the birds stressing over the apple sauce which represents the future? Jeremy stresses over the future in the future, but never in the present. This line self-references itself.
Having passed the impassable overpass, Jeremy returns to the world of is is is, tucking non-world and non-is under his jester’s hat. He is the every-second stage performer, the laughing belief-juggler, skeptical of the skeptical, and skeptical of the of being used as the true of. He grins at frowns and growns at frins. He agrees to disagree to agree to bluff his way into legitimacy. Autonym #5: Itself. Jeremy approaches the completion of his metafictional work. He turns off the light and creates heaviness. His words, being heavy, slip off into abstraction.